Wednesday, July 6, 2016
Friday, July 1, 2016
Sunday, June 26, 2016
Indian scene. A very true-to-life or down-to-earth approach he applied
first for the silver screen of India in 1950. Satyajit Ray reiterated
this on many occasions.
Banshi Chandragupta came to this city in the year 1944 to become a
painter, when he met Shubho Thakur. And Banshi started his journey by
illustrating book covers, inside illustrations and teaching Hindi
language. In the year 1946, he started his career as art director in
the film 'Abhijatri' by Hemen Gupta. Banshi was the assistant of Botu
Sen in this film. Jean Renoir came to India to shoot his film 'The
River'. Banshi also worked in that film. He worked regularly for the
Bengali theatre based on Tagore's plays. But the landmark of his
career was obviously Satyajit Ray's first film "Pather Panchali" in
the year 1950. Banshi became famous for his outstanding work in
Arindam Saha Sardar made a film on the life of Banshi and the name of
this 50 minutes duration film is "Banshi Chandragupta". The film will
be screened on 27th June, 2016 at Nazrul Tirtha (at 5:30 pm). This
27th June is the 35th death anniversary of this legendary art
director. The film will be presented by Uttarpara Jeevansmriti and the
whole programme will be held in collaboration with HIDCO. "Art
direction in the films of then and now" - the seminar on this topic
will be participated by Hiran Mitra and Sanjoy Mukhopadhyay.
Posted by Asim Kumar at 4:56 PM
Saturday, April 23, 2016
Thursday, April 21, 2016
Bouthan' Kadambari Devi. She attempted to commit suicide by taking
overdose of opium on 19 April, 1884 and passed away just two days
later 21 April, 1884 at Jorasanko Thakur Bari.
When she died, Rabindranath was 23 and her age was 25. She was not
only Tagore's sister-in-law, she was his friend and playmate too. And
above all, within total 16 year's friendship she became the "total
support" of the poet's life. Much later, in the year 1917 the poet
wrote to another poet Amiya Chakraborty: "Once, when I was about your
age, I suffered a devastating sorrow, similar to your's now. A very
close relative of mine committed suicide, and she had been my life's
total support, right from childhood onward. And so with her unexpected
death it was as if the earth itself receded from beneath my feet, as
though the skies above me all went dark. My universe turned empty, my
zest for life departed."
Kadambari Devi helped much adolescent Rabindranath to grew as a poet
and in return the poet gave her a nickname 'Hecate' - The Greek
goddess of Moon. And Tagore dedicated more books to his 'Hey' than any
other. In his poem 'Rahur Prem' the poet confessed his love for 'Hey'
by this way: "From the very beginning of time, you have been my
partner because I am your shadow. You could better see me in your
smile and tears... You will be surprised to see me gazing on your face
in the pitch darkness when you are wrapped in a blanket of despair...
Tagore even admitted to the artist Nandalal Basu when he was in his
late seventies that it was Kadambari's eyes which lay behind the
hundreds of haunting portraits of women he painted in old age. One can
feel the presence of poet's 'Hey' in every poem and song based on
love. And for this reason, Kadambari Devi is still alive after 132nd
years of her death anniversary.
Posted by Asim Kumar at 3:10 PM
Wednesday, April 13, 2016
and the end of two-days-long worship of Lord Shiva in Bengal. It is
the tradition and heritage of this region to perform 'sannyas' in the
month of Chaitra by devotees of Lord Shiva. Yesterday was the Neel
Puja - the worship of Lord Shiva and today is the Charak - the time to
perform rituals by self-pain. Once upon a time this festival was a
phenomenon in Kolkata, in almost every pally. But, now it is happen in
limited parts of the city. It is a rumour that a king named
Sundarananda Thakur was initiated this festival. In different parts of
Bengal it is called Neel Puja, Gambhira Puja or Gajon. The essential
parts of this Charak are swings on the Charak Tree, Ban Phora
(inserting arrows on the body), walking on burning coals barefoot or
the worship of crocodile are the main items usually perform the
'sannyasis' on the Charak ground. Additional attraction is the fair of
Charak and songs of Gajon. In British period, the Charak Mela was used
to run at Beadon Square or Company Bagan. At that time, it was a very
gorgeous fair. Later, the fair shifted to Chatu Babu's bazar (Girish
Park is the nearest metro station). The famous attraction of this site
are Gajon of Lord Shiva and swings on Charak tree. And it is surely
the sample of old Kolkata.
It is the 150th year of Charak Mela at the premises of Chatu Babu's
bazar. On this occasion, several functions are being organised here.
The Gajon and Charak will be on at 3 pm - just after three hours.
Then, the fair will start there. A special brochure named "Hate
Bazare" will be published here.
Posted by Asim Kumar at 12:12 PM
Tuesday, April 12, 2016
days.It is not a good sign that the state is under heat wave in April.
Hence, the meteorological office feared that May-June would be hottest
here. At this situation, the roadside water sources of the city are
busy enough, bathing early in the morning is a pleasure too in summer.
Posted by Asim Kumar at 3:54 PM
Wednesday, April 6, 2016
departed us years ago. But still her presence is ensured by her
acting in Bengali as well as in Hindi films. When I was a kid, I used
to go cinema halls with my mother to watch 'Shilpi' or 'Sabar Upare'
devoid of any bias or admiration. It was simply a matter of
astonishment to me as the magic of silver screen made me spellbound. I
never knew who was Suchitra Sen, what was the definition of acting etc
etc. But, her presence was so impressive to me so far as I remember.
Gradually, I became adolescent and as a school-goer I used to pay more
attention to watch movies than my studies, surreptitiously. By course
of time, I became fan of Suchitra Sen. She was the ideal heroine in my
eyes. I already watched her superhit movies like Sare Chuattar,
Shilpi, Agni Pariksha, Indrani, Pathe Holo Deri, Sabar Upare, Ekti
Raat, Chaoa Paoa, Saptapadi, Saat Pake Bandha, Uttar Phalguni, Deep
Jele Jai etc.
By this time of school life, I was curious too to know about the
personal life of Suchitra Sen and her behaviour on the set. So, I
started to read 'Ultorath' and 'Prasad' - the two popular magazines
about Bengali cinema. I came to know that Madam Suchitra was very
fun-loving person, always used to deliver jokes to co-artists and
technicians on the set. She was very glamour conscious too which was
quite natural. Gradually she became the most glamorous star heroine of
that time, Her pair with Uttam Kumar became a legend. I still prefer
to watch 'Saptapadi' on TV instead of 'Smriti tuku thak' or 'Kancher
Swarga' where Suchitra's acting was superb but the romantic pair
Uttam-Suchitra was awesome.
When she quit cinema and never appeared publicly (except a few), I
treasured her youth within and was never curious to see the aged image
of Suchitra Sen. She was my only star heroine and will ever my only
Posted by Asim Kumar at 11:20 AM
Thursday, March 31, 2016
partially this noon in the city of joy Kolkata. The incident took
place near Ganesh Talkies of Posta area. Many hapless persons
including buses and cars are feared under the debris of concrete and
metals. Primarily 10 persons are dead and many admitted to hospitals.
The rescue operation is on, but the mishap is very tragic indeed.
Posted by Asim Kumar at 3:10 PM
Tuesday, March 29, 2016
this mela is now faded away...
It is the house of Khsetra Mohan Sha who came from an unknown village
of Bihar in the middle of nineteenth century and started residing at
Serampore of Hooghly district. It was the Oxford Street near railway
station of British period where he resided. But now it is known to all
as K M Sha Street (by his name).
At the beginning, he was the employee of East India Company's railway.
But, at the same time, he earned plenty of wealth by business. And he
spent many for the betterment of Hindus. Inspired by the Hindu Mela at
the house of Duncan saheb at Belgachia, Khsetra Mohan started Krishi
Shilpa Pradarshani O Mela (Exhibition cum fair of agriculture and art)
named under Shri Shri Shiv Shankar Jiu on the auspicious day of
Shiv-Ratri in the year 1897 in the premises of temples founded by him
in front of his residence at Serampore. Moreover, he founded a school,
library and free dispensary for the poor. But, much before these
activities, more than hundred poor people used to fed at his residence
daily. By this way, he became famous for his generous activities.
Inside the Mela Bari, a big temple and Nat Mandir is there where the
Sun God of Astadhatu, Shiv Linga of brass, goddess Kali of
Kastipathar, goddess Annapurna and Narayana made of stone are also in
the temple being worshipped regularly. Separate rooms are there for
each god and goddesses. But, the beams of ceiling are now in a poor
condition. The floor made of Italian marbles are now almost broken by
the time passed. The main door made of sagoon wood with design by
metal and copper too in a poor condition.
The Mela of Shiv-Ratri was started on 7 March and will run till 6
April of this year. This one month long fair has past glory I've seen
even in my childhood. Nahabat sehnai was there at the top of entrance,
then the exhibition of noteworthy agricultural products of nearby
villages which used to astonish us. At left, each year a new clay
model of Lord Shiva & Durga were exhibited there for the viewers. At
the right, a long hall where art work of students of local schools and
individuals were there - paintings, drawings and models of houses etc
used to decorate the wall and tables of the hall. At the end, tusks of
elephants were exhibited proudly, I remember. We used to exit at the
other end of that hall and used to enjoy the fair... the stalls packed
with toys for all ages attracted us most. The elders and young girls
still now like the stalls of utensils, kitchen appliances and
cosmetics and bungles, chains, lockets, earrings, bindis etc. Various
delicious foods like ghoogni, phuchka, papad, jilipi, badam (nuts)
bhaja, bhelpuri, coolphi, ice cream etc. were found earlier but now I
found only a few of them.
The stalls I just mentioned are still there at the fair, but the hall
lost its charm. Only the drawings and paintings made by the students
of local two drawing school are there, which is a bit monotonous.
The physical condition of that hall is very poor now.
Once, the three sides of this fair ground were used to glorify the
fame of this mela with assembles of clay models depicted various
episodes of epic Ramayana and Mahabharata. The time has snatched those
days and we lost these idols. I've seen last Saturday only a few of
them kept scattered. The scene was painful for me and I became
nostalgic. On the main road, just outside the mela bari a section of
that house is still there where in my childhood I used to watch puppet
play (rod puppet). The whole atmosphere was then really conducive to
be a village fair in true sense.
I visited the place last weekend and found that bright lights in the
evening failed to hide the dilapidated condition of the site. I came
to know that the Sha family has proposed the local municipal
authorities to keep this heritage of British period and they're
considering the matter.
Posted by Asim Kumar at 5:33 PM